exhibitions
2009 press releases
- Daniel Nicoletta
Harvey Milk and the San Francisco Scene
May 9 – June 20, 2009 - the aim of waking is to dream
March 14 – April 25, 2009 - CONNECTIONS
Jan. 17 – Feb. 28, 2009
2008 press releases
- Reality Check
Nov. 1 – Dec. 13, 2008 - Xacto Mundo
Sept. 17 – Oct. 25, 2008 - Beauty and The Beast
June 28 - August 2, 2008 - IN BLOOM
May 17 - June 21, 2008 - On
the Row
March 15- April 26, 2008 - A
Life Well-Traveled
Jan. 26 - March 8, 2008
2007 press releases
- Creosote/
The Great American Let Down
Nov. 3 – Dec. 8, 2007 - Small Things/
Te Voglat
Sept. 8 – Oct. 20, 2007 - In Plain Sight
May 12 – June 17, 2007 - SNATCH!
March 24 - May 5, 2007
2006 press releases
- Decoys & Destructions
Nov. 4 - Dec. 16, 2006 - Ménage-Á-Trois
Sept. 16 - Oct. 22, 2006
- Afloat
May 13 - June 25, 2006 - Sheep Of Fools
April 1 - May 7, 2006 - Filigree
Feb. 18 - Mar. 26, 2006 - Wiggly & Curvy/
Sharp & Pointy
Jan. 7 - Feb. 12, 2006
2005 press releases
- Crossing
Nov. 5 - Dec. 18, 2005 - Tattoo
Sept. 10 - Oct. 22, 2005 - Lucid
June 25 - July 23, 2005 - Foreign & Familiar
May 14 - June 18, 2005 - 11-1/2
Mar. 26 - April 30, 2005 - Long Songs
Feb. 18 - Mar. 19, 2005 - Triply
Jan. 8 - Feb. 6, 2005
2004 press releases
- Sue Coe
Oct. 23 - Dec. 4, 2004 - Athenaia
Sept. 10 - Oct. 16, 2004 - Starfuckers
June 12 - July 17, 2004 - Where We Live:
Outside & In
May 1 - June 5, 2004 - Murmuration Of Starlings
Mar. 27 - April 24, 2004 - CO/NUN/DRUM
Feb. 13th - Mar. 14th, 2004 - Street Portraits & Reality Bites
Jan. 10 - Feb. 7, 2004
2003 press releases
- Where Nobody Knows Your Name
Nov. 29 - Jan. 3, 2004 - Provenance: Nice Guy Convention
Oct. 25 - Nov. 15, 2003 - One Love & 25 Ugly Old Heads
Sept. 13 - Oct. 12, 2003 - SuperNatural
Aug. 23 - Sept. 12, 2003 - Nocturnal Love Songs
July 26 - Aug. 14, 2003 - I Am Human And I Deserve To Be Loved
June 21 - July 19, 2003 - Disruption
May 17 - June 15, 2003 - Team Spirit
April 12 - May 11, 2003
for immediate release
“Street Portraits & Reality Bites”
January 10 - February 7, 2004
Works by: Lenny Silverberg
opening reception: January 17, 2003; 7PM - 11PM
OVERTONES is proud to present the first one-person show on the West Coast of Lenny Silverberg's oeuvre. Lenny Silverberg grew up in Brooklyn, NY, studied with Ad Reinhart at Brooklyn College, met Thelonious Monk at the Village Vanguard (Monk told him to dress for his red hair-"wear pink!"), moved to San Francisco in 1965, was a stone cold hippie (he worked in light shows at the Avalon Ballroom and Fillmore West), lived to tell the tale and moved back to Manhattan in 1980 because he missed the mean streets.
If Santa Monica is the "Home of the Homeless", then what is downtown New York City? Lenny Silverberg has only to step out of his old loft building on the corner of Centre and Broome Streets to encounter the subjects of his paintings and drawings: the dispossessed, discarded, somehow invisible people who manage to live in hallways, sleep on subway grates and in curiously inventive hand-made shelters.
For twenty years he has walked the streets of his neighborhood, between Soho, Little Italy and Chinatown, with a sketchpad, taking notes, then going upstairs and painting poignant, hauntingly dignified-occasionally humorous-oil portraits and black and white ink wash drawings.
Using techniques that evoke Goya and Daumier-in vibrant living color and stark black and white-Silverberg brings an acute eye and a humanist's empathy to his work.
Once we see Silverberg's subjects through the prism of his art, we realize we know these people in our bones-they are us. Perhaps fallen on harder times: one dot-com bomb, one failed stock market gamble, one lost governmental health care package away.
OVERTONES is a Los Angeles art venue that supports and promotes creative endeavors in all artistic disciplines, with emphasis on the diversity of Los Angeles communities, emerging and mid-career artists, international collaboration and social responsibility. OVERTONES is committed to searching outside the confines of established art structures and presenting work that has the potential to engage a wide range of audiences and foster growth and progress.