Press
2008
- ArtScene
Simone Lourenço
June 2008
Vol. 27, No. 10
- Artweek
Christopher Chinn
June 2008
Volume 39, Issue 5
- Huffington Post
Alexis Weidig
May 10, 2008
- Art Ltd.
Margi Scharff
Jan 1, 2008
2007
- ARTWEEK
p. 20
Alexis Weidig at OVERTONES
Volume 38, Issue 10
Dec 2007 / Jan 2008 - ART LTD Magazine
p. 18-19
Alexis Weidig at Overtones
November 2007 - LA WEEKLY
Composition Lessons
October 10, 2007 - LA TIMES
Collages from found paper scraps
May 25, 2007 - Whitehot magazine of contemporary art
Snatch is Alchemy
April 07, 2007; Issue #2 - d/visible
The Cultural Overspray
of Victor Gastelum
March 27, 2007
2006
- LA TIMES
Around the Galleries
Generational differences
December 8, 2006 - FLAVOR PILL
"Decoys & Destructions"
November 28, 2006 - LA WEEKLY
ART PICK OF THE WEEK
"TWO THREE-FERS"
Wednesday, June 21, 2006 - ArtScene
"Sheep of Fools"
May, 2006 - NPR
Margi Scharff
March 2, 2006 - ArtScene
Victor Gastelum & Amos
February, 2006
2005
- LA Times
Around The Galleries
"Passage and transformation"
December 9, 2006 - ArtScene
Continuing and Recommended Exhibitions
December, 2005 - Beautiful/Decay Magazine
"Et Cetera"
November/December 2005 - Tema Celeste
"Chris Natrop"
July 3, 2005 - City Beat
"Paper and Profound"
April 28 - May 4, 2005 - Flavorpill
Issue 113
"Chris Natrop: 11-1/2"
April 26 - May 2, 2005
2004
- Art Scene
Continuing and Recommended Exhibitions
"Sue Coe"
Vol. 24, No. 4
December 2004 - LA Times
Around the Galleries
"Making some graphic statements"
Friday, November 26, 2004 - ARTWEEK
"Alexis Weidig at Overtones"
Vol. 35, Issue 9
Pages. 19-20
November 2004 - CityBeat
7 Days in LA
"Vote"
October 28-November 3, 2004 - CityBeat
7 Days in LA
"Magical Mix"
October 14-20, 2004 - Flavorpill
"Alexis Weidig: Athenaia"
October 5-12, 2004 - Art Scene
Continuing and Recommended Exhibitions
"Where We Live:
Outside and In"
Vol. 23, No. 10
June 2004
2003
ArtScene: Continuing and Recommended Exhibitions
December 2004
Vol. 24, No. 4
"Sue Coe"
It is rare that a political cartoonist's imagery transcends the topicality of their subjects to be regarded as art; think Honoré Daumier. Sue Coe brings a sure hand and exceptional graphic intensity to her biting and decidedly leftist voice. While her work long since came to be regarded as rarefied, it's been awhile since she has exhibited in these parts, and her unflinching disgust with the whole business of war (and we do mean profiteering) is a needed stiff drink in the context of our polarized political environment (Overtones, Culver City). Jump to Article.
by Art Scene